The Verdurins Quarrel: Translations in Spanish and Lyrics - Marcel Proust

The Translation of The Verdurins Quarrel - Marcel Proust in Spanish and the original Lyrics of the Song
Below you will find lyrics, music video and translation of The Verdurins Quarrel - Marcel Proust in various languages. The music video with the song's audio track will automatically start at the bottom right. To improve the translation you can follow this link or press the blue button at the bottom.

Lyrics of The Verdurins Quarrel
by Marcel Proust

                                             CHAPTER TWO


   After dinner, I told Albertine that, since I was out of bed, I might as well take the opportunity to go and see some of my friends, Mme. de Villeparisis, Mme. de Guermantes, the Cambremers, anyone in short whom I might find at home. I omitted to mention only the people whom I did intend to see, the Verdurins. I asked her if she would not come with me. She pleaded that she had no suitable clothes. “Besides, my hair is so awful. Do you really wish me to go on doing it like this?” And by way of farewell she held out her hand to me in that abrupt fashion, the arm outstretched, the shoulders thrust back, which she used to adopt on the beach at Balbec and had since then entirely abandoned. This forgotten gesture retransformed the body which it animated into that of the Albertine who as yet scarcely knew me. It restored to Albertine, ceremonious beneath an air of rudeness, her first novelty, her strangeness, even her setting. I saw the sea behind this girl whom I had never seen shake hands with me in this fashion since I was at the seaside. “My aunt thinks it makes me older,” she added with a sullen air. “Oh that her aunt may be right!” thought I. “That Albertine by looking like a child should make Mme. Bontemps appear younger than she is, is all that her aunt would ask, and also that Albertine shall cost her nothing between now and the day when, by marrying me, she will repay what has been spent on her.” But that Albertine should appear less young, less pretty, should turn fewer heads in the street, that is what I, on the contrary, hoped. For the age of a duenna is less reassuring to a jealous lover than the age of the woman’s face whom he loves. I regretted only that the style in which I had asked her to do her hair should appear to Albertine an additional bolt on the door of her prison. And it was henceforward this new domestic sentiment that never ceased, even when I was parted from Albertine, to form a bond attaching me to her

   I said to Albertine, who was not dressed, or so she told me, to accompany me to the Guermantes’ or the Cambremers’, that I could not be certain where I should go, and set off for the Verdurins’. At the moment when the thought of the concert that I was going to hear brought back to my mind the scene that afternoon: “Grand pied de grue, grand pied de grue,”— a scene of disappointed love, of jealous love perhaps, but if so as bestial as the scene to which a woman might be subjected by, so to speak, an orang-outang that was, if one may use the expression, in love with her — at the moment when, having reached the street, I was just going to hail a cab, I heard the sound of sobs which a man who was sitting upon a curbstone was endeavouring to stifle. I came nearer; the man, who had buried his face in his hands, appeared to be quite young, and I was surprised to see, from the gleam of white in the opening of his cloak, that he was wearing evening clothes and a white tie. As he heard my step he uncovered a face bathed in tears, but at once, having recognised me, turned away. It was Morel. He guessed that I had recognised him and, checking his tears with an effort, told me that he had stopped to rest for a moment, he was in such pain. “I have grossly insulted, only to-day,” he said, “a person for whom I had the very highest regard. It was a cowardly thing to do, for she loves me.” “She will forget perhaps, as time goes on,” I replied, without realising that by speaking thus I made it apparent that I had overheard the scene that afternoon. But he was so much absorbed in his own grief that it never even occurred to him that I might know something about the affair. “She may forget, perhaps,” he said. “But I myself can never forget. I am too conscious of my degradation, I am disgusted with myself! However, what I have said I have said, and nothing can unsay it. When people make me lose my temper, I don’t know what I am doing. And it is so bad for me, my nerves are all on edge,” for, like all neurasthenics, he was keenly interested in his own health. If, during the afternoon, I had witnessed the amorous rage of an infuriated animal, this evening, within a few hours, centuries had elapsed and a fresh sentiment, a sentiment of shame, regret, grief, shewed that a great stage had been passed in the evolution of the beast destined to be transformed into a human being. Nevertheless, I still heard ringing in my ears his ‘grand pied de grue‘ and dreaded an imminent return to the savage state. I had only a very vague impression, however, of what had been happening, and this was but natural, for M. de Charlus himself was totally unaware that for some days past, and especially that day, even before the shameful episode which was not a direct consequence of the violinist’s condition, Morel had been suffering from a recurrence of his neurasthenia. As a matter of fact, he had, in the previous month, proceeded as rapidly as he had been able, a great deal less rapidly than he would have liked, towards the seduction of Jupien’s niece with whom he was at liberty, now that they were engaged, to go out whenever he chose. But whenever he had gone a trifle far in his attempts at violation, and especially when he suggested to his betrothed that she might make friends with other girls whom she would then procure for himself, he had met with a resistance that made him furious. All at once by themselves, and, before announcing the rupture, to ‘b ——-off’ to an unknown destination

   For all that his conduct towards Jupien’s niece coincided exactly, in its minutest details, with the plan of conduct which he had outlined to the Baron as they were dining together at Saint-Mars le Vêtu, it is probable that his intention was entirely different, and that sentiments of a less atrocious nature, which he had not foreseen in his theory of conduct, had improved, had tinged it with sentiment in practice. The sole point in which, on the contrary, the practice was worse than the theory is this, that in theory it had not appeared to him possible that he could remain in Paris after such an act of betrayal. Now, on the contrary, actually to ‘b ——— off’ for so small a matter seemed to him quite unnecessary. It meant leaving the Baron who would probably be furious, and forfeiting his own position. He would lose all the money that the Baron was now giving him. The thought that this was inevitable made his nerves give away altogether, he cried for hours on end, and in order not to think about it any more dosed himself cautiously with morphine. Then suddenly he hit upon an idea which no doubt had gradually been taking shape in his mind and gaining strength there for some time, and this was that a rupture with the girl would not inevitably mean a complete break with M. de Charlus. To lose all the Baron’s money was a serious thing in itself. Morel in his uncertainty remained for some days a prey to dark thoughts, such as came to him at the sight of Bloch. Then he decided that Jupien and his niece had been trying to set a trap for him, that they might consider themselves lucky to be rid of him so cheaply. He found in short that the girl had been in the wrong in being so clumsy, in not having managed to keep him attached to her by a sensual attraction. Not only did the sacrifice of his position with M. de Charlus seem to him absurd, he even regretted the expensive dinners he had given the girl since they became engaged, the exact cost of which he knew by heart, being a true son of the valet who used to bring his ‘book’ every month for my uncle’s inspection. For the word book, in the singular, which means a printed volume to humanity in general, loses that meaning among Royal Princes and servants. To the latter it means their housekeeping book, to the former the register in which we inscribe our names.

   Notwithstanding the change in Morel’s point of view with regard to the consequences of his behaviour, albeit that behaviour would have seemed to him abominable two months earlier, when he was passionately in love with Jupien’s niece, whereas during the last fortnight he had never ceased to assure himself that the same behaviour was natural, praiseworthy, it continued to intensify the state of nervous unrest in which, finally, he had announced the rupture that afternoon. And he was quite prepared to vent his anger, if not anything that might impair the flexibility of his wrists. Similarly a surgeon who is an enthusiastic motorist, does not drive when he has an operation to perform. This accounts to me for the fact that, while he was speaking to me, he kept bending his fingers gently one after another to see whether they had regained their suppleness. A slight frown seemed to indicate that there was still a trace of nervous stiffness. But, so as not to increase it, he relaxed his features, as we forbid ourself to grow irritated at not being able to sleep or to prevail upon a woman, for fear lest our rage itself may retard the moment of sleep or of satisfaction. And so, anxious to regain his serenity so that he might, as was his habit, absorb himself entirely in what he was going to play at the Verdurins’, and anxious, so long as I was watching him, to let me see how unhappy he was, he decided that the simplest course was to beg me to leave him immediately. His request was superfluous, and it was a relief to me to get away from him. I had trembled lest, as we were due at the same house, within a few minutes, he might ask me to take him with me, my memory of the scene that afternoon being too vivid not to give me a certain distaste for the idea of having Morel by my side during the drive. It is quite possible that the love, and afterwards the indifference or hatred felt by Morel for Jupien’s niece had been sincere. Unfortunately, it was not the first time that he had behaved thus, that he had suddenly ‘dropped’ a girl to whom he had sworn undying love, going so far as to produce a loaded revolver, telling her that he would blow out his brains if ever he was mean enough to desert her. He did nevertheless desert her in time, and felt instead of remorse, a sort of rancour against her. It was not the first time that he had behaved thus, it was not to be the last, with the result that the heads of many girls — girls less forgetful of him than he was of them — suffered — as Jupien’s niece’s head continued long afterwards to suffer, still in love with Morel although she despised him — suffered, ready to burst with the shooting of an internal pain because in each of them — like a fragment of a Greek carving — an aspect of Morel’s face, hard as marble and beautiful as an antique sculpture, was embedded in her brain, with his blossoming hair, his fine eyes, his straight nose, forming a protuberance in a cranium not shaped to receive it, upon which no operation was possible. But in the fulness of time these stony fragments end by slipping into a place where they cause no undue discomfort, from which they never stir again; we are no longer conscious of their presence: I mean forgetfulness, or an indifferent memory

   Meanwhile I had gained two things in the course of the day. On the one hand, thanks to the calm that was produced in me by Albertine’s docility, I found it possible, and therefore made up my mind, to break with her. There was on the other hand, the fruit of my reflexions during the interval that I had spent waiting for her, at the piano, the idea that Art, to which I would try to devote my reconquered liberty, was not a thing that justified one in making a sacrifice, a thing above and beyond life, that did not share in its fatuity and futility; the appearance of real individuality obtained in works of art being due merely to the illusion created by the artist’s technical skill. If my afternoon had left behind it other deposits, possibly more profound, they were not to come to my knowledge until much later. As for the two which I was able thus to weigh, they were not to be permanent; for, from this very evening my ideas about art were to rise above the depression to which they had been subjected in the afternoon, while on the other hand my calm, and consequently the freedom that would enable me to devote myself to it, was once again to be withdrawn from me

   As my cab, following the line of the embankment, was coming near the Verdurins’ house, I made the driver pull up. I had just seen Brichot alighting from the tram at the foot of the Rue Bonaparte, after which he dusted his shoes with an old newspaper and put on a pair of pearl grey gloves. I went up to him on foot. For some time past, his sight having grown steadily weaker, he had been endowed — as richly as an observatory — with new spectacles of a powerful and complicated kind, which, like astronomical instruments, seemed to be screwed into his eyes; he focussed their exaggerated blaze upon myself and recognised me. They — the spectacles — were in marvellous condition. But behind them I could see, minute, pallid, convulsive, expiring, a remote gaze placed under this powerful apparatus, as, in a laboratory equipped out of all proportion to the work that is done in it, you may watch the last throes of some insignificant animalcule through the latest and most perfect type of microscope. I offered him my arm to guide him on his way. “This time it is not by great Cherbourg that we meet,” he said to me, “but by little Dunkerque,” a remark which I found extremely tiresome, as I failed to understand what he meant; and yet I dared not ask Brichot, dreading not so much his scorn as his explanations. I replied that I was longing to see the room in which Swann used to meet Odette every evening. “What, so you know that old story, do you?” he said. “And yet from those days to the death of Swann is what the poet rightly calls: ‘Grande spatium mortalis aevi.’”

   The death of Swann had been a crushing blow to me at the time. The death of Swann! Swann, in this phrase, is something more than a noun in the possessive case. I mean by it his own particular death, the death allotted by destiny to the service of Swann. For we talk of ‘death’ for convenience, but there are almost as many different deaths as there are people. We are not equipped with a sense that would enable us to see, moving at every speed in every direction, these deaths, the active deaths aimed by destiny at this person or that. Often there are deaths that will not be entirely relieved of their duties until two or even three years later. They come in haste to plant a tumour in the side of a Swann, then depart to attend to their other duties, returning only when, the surgeons having performed their operation, it is necessary to plant the tumour there afresh. Then comes the moment when we read in the Gaulois that Swann’s health has been causing anxiety but that he is now making an excellent recovery. Then, a few minutes before the breath leaves our body, death, like a sister of charity who has come to nurse, rather than to destroy us, enters to preside over our last moments, crowns with a supreme halo the cold and stiffening creature whose heart has ceased to beat. And it is this diversity among deaths, the mystery of their circuits, the colour of their fatal badge, that makes so impressive a paragraph in the newspapers such as this:

    “We regret to learn that M. Charles Swann passed away yesterday at his residence in Paris, after a long and painful illness. A Parisian whose intellectual gifts were widely appreciated, a discriminating but steadfastly loyal friend, he will be universally regretted, in those literary and artistic circles where the soundness and refinement of his taste made him a willing and a welcome guest, as well as at the Jockey Club of which he was one of the oldest and most respected members. He belonged also to the Union and Agricole. He had recently resigned his membership of the Rue Royale. His personal appearance and eminently distinguished bearing never failed to arouse public interest at all the great events of the musical and artistic seasons, especially at private views, at which he was a regular attendant until, during the last years of his life, he became almost entirely confined to the house. The funeral will take place, etc.”

   From this point of view, if one is not ‘somebody,’ the absence of a well known title makes the process of decomposition even more rapid. No doubt it is more or less anonymously, without any personal identity, that a man still remains Duc d’Uzès. But the ducal coronet does for some time hold the elements together, as their moulds keep together those artistically designed ices which Albertine admired, whereas the names of ultra-fashionable commoners, as soon as they are dead, dissolve and lose their shape. We have seen M. de Bréauté speak of Cartier as the most intimate friend of the Duc de La Trémoïlle, as a man greatly in demand in aristocratic circles. To a later generation, Cartier has become something so formless that it would almost be adding to his importance to make him out as related to the jeweller Cartier, with whom he would have smiled to think that anybody could be so ignorant as to confuse him! Swann on the contrary was a remarkable personality, in both the intellectual and the artistic worlds; and even although he had ‘produced’ nothing, still he had a chance of surviving a little longer. And yet, my dear Charles ——-, whom I used to know when I was still so young and you were nearing your grave, it is because he whom you must have regarded as a little fool has made you the hero of one of his volumes that people are beginning to speak of you again and that your name will perhaps live. If in Tissot’s picture representing the balcony of the Rue Royale club, where you figure with Galliffet, Edmond Polignac and Saint-Maurice, people are always drawing attention to yourself, it is because they know that there are some traces of you in the character of Swann

   To return to more general realities, it was of this foretold and yet unforeseen death of Swann that I had heard him speak himself to the Duchesse de Guermantes, on the evening of her cousin’s party. It was the same death whose striking and specific strangeness had recurred to me one evening when, as I ran my eye over the newspaper, my attention was suddenly arrested by the announcement of it, as though traced in mysterious lines interpolated there out of place. They had sufficed to make of a living man some one who can never again respond to what you say to him, to reduce him to a mere name, a written name, that has passed in a moment from the real world to the realm of silence. It was they that even now made me anxious to make myself familiar with the house in which the Verdurins had lived, and where Swann, who at that time was not merely a row of five letters printed in a newspaper, had dined so often with Odette. I must add also which I longed to ask him about the most different subjects: Vermeer, M. de Mouchy, Swann himself, a Boucher tapestry, Combray, questions that doubtless were not very vital since I had put off asking them from day to day, but which seemed to me of capital importance now that, his lips being sealed, no answer would ever come

    “No,” Brichot went on, “it was not here that Swann met his future wife, or rather it was here only in the very latest period, after the disaster that partially destroyed Mme. Verdurin’s former home.”

   Unfortunately, in my fear of displaying before the eyes of Brichot an extravagance which seemed to me out of place, since the professor had no share in its enjoyment, I had alighted too hastily from the carriage and the driver had not understood the words I had flung at him over my shoulder in order that I might be well clear of the carriage before Brichot caught sight of me. The consequence was that the driver followed us and asked me whether he was to call for me later; I answered hurriedly in the affirmative, and was regarded with a vastly increased respect by the professor who had come by omnibus

    “Ah! So you were in a carriage,” he said in solemn tones. “Only by the purest accident. I never take one as a rule. I always travel by omnibus or on foot. However, it may perhaps entitle me to the great honour of taking you home to-night if you will oblige me by consenting to enter that rattletrap; we shall be packed rather tight. But you are always so considerate to me.” Alas, in making him this offer, I am depriving myself of nothing if he did so from a financial motive, which it is possible to resist, may be pardoned, but not if his crime was due to an irresistible Sadism

   Brichot’s coarse pleasantries, in the early days of his friendship with the Baron, had given place, as soon as it was a question, not of uttering commonplaces, but of understanding, to an awkward feeling which concealed a certain merriment. He reassured himself by recalling pages of Plato, lines of Virgil, because, being mentally as well as physically blind, he did not understand that in those days to fall in love with a young man was like, in our day all conventional homosexuality — that of Plato’s young friends as well as that of Virgil’s shepherds — has disappeared, that what survives and increases is only the involuntary, the neurotic kind, which we conceal from other people and disguise to ourselves. And M. de Charlus would have been wrong in not denying frankly the pagan genealogy. In exchange for a little plastic beauty, how vast the moral superiority! The shepherd in Theocritus who sighs for love of a boy, later on will have no reason to be less hard of heart, less dull of wit than the other shepherd whose flute sounds for Amaryllis. For the former is not suffering from a malady, he is conforming to the customs of his time. It is the homosexuality that survives in spite of obstacles, a thing of scorn and loathing, that is the only true form, the only form that can be found conjoined in a person with an enhancement of his moral qualities. We are appalled at the apparently close relation between these and our bodily attributes, when we think of the slight dislocation of a purely physical taste, the slight blemish in one of the senses, which explain why the world of poets and musicians, so firmly barred against the Duc de Guermantes, opens its portals to M. de Charlus. That the latter should shew taste in the furnishing of his home, which is that of an eclectic housewife, need not surprise us; but the narrow loophole that opens upon Beethoven and Veronese! This does not exempt the sane from a feeling of alarm when a madman who has composed a sublime poem, after explaining to them in the most logical fashion that he has been shut up by mistake, through his wife’s machinations, imploring them to intercede for him with the governor of the asylum, complaining of the promiscuous company that is forced upon him, concludes as follows: “You see that man who is waiting to speak to me on the lawn, whom I am obliged to put up with; he thinks that he is Jesus Christ. That alone will shew you the sort of lunatics that I have to live among; he cannot be Christ, for I am Christ myself!” A moment earlier, you were on the point of going to assure the governor that a mistake had been made. At this final speech, even if you bear in mind the admirable poem at which this same man is working every day, you shrink from him, as Mme. de Surgis’s sons shrank from M. de Charlus, not that he would have done them any harm, but because of his ceaseless invitations, the ultimate purpose of which was to pinch their chins. The poet is to be pitied, who must, with no Virgil to guide him, pass through the circles of an inferno of sulphur and brimstone, to cast himself into the fire that falls from heaven, in order to rescue a few of the inhabitants of Sodom! No charm in his work; the same severity in his life as in those of the unfrocked priests who follow the strictest rule of celibacy so that no one may be able to ascribe to anything but loss of faith their discarding of the cassock

   Making a pretence of not seeing the seedy individual who was following in his wake , and afraid at the same time that the other might have the audacity to accost him, the Baron had devoutly lowered his darkened eyelids which, in contrast to his rice-powdered cheeks, gave him the appearance of a Grand Inquisitor painted by El Greco. But this priestly expression caused alarm, and he looked like an unfrocked priest, various compromises to which he had been driven by the need to apologise for his taste and to keep it secret having had the effect of bringing to the surface of his face precisely what the Baron sought to conceal, a debauched life indicated by moral decay. This last, indeed, whatever be its cause, is easily detected, for it is never slow in taking bodily form and proliferates upon a face, especially on the cheeks and round the eyes, as physically as the ochreous yellows accumulate there in a case of jaundice or repulsive reds in a case of skin disease. Nor was it merely in the cheeks, or rather the chaps of this painted face, in the mammiferous chest, the aggressive rump of this body allowed to deteriorate and invaded by obesity, upon which there now floated iridescent as a film of oil, the vice at one time so jealously confined by M. de Charlus in the most secret chamber of his heart. Now it overflowed in all his speech

    “So this is how you prowl the streets at night, Brichot, with a good-looking young man,” he said as he joined us, while the disappointed ruffian made off. “A fine example. We must tell your young pupils at the Sorbonne that this is how you behave. But, I must say, the society of youth seems to be good for you, Monsieur le Professeur, you are as fresh as a rosebud. I have interrupted you, you looked as though you were enjoying yourselves like a pair of giddy girls, and had no need of an old Granny Killjoy like myself. I shan’t take it to the confessional, since you are almost at your destination.” The Baron’s mood was all the more blithe since he knew nothing whatever about the scene that afternoon, Jupien having decided that it was better to protect his niece against a repetition of the onslaught than to inform M. de Charlus. And so the Baron was still looking forward to the marriage, and delighting in the thought of it. One would suppose that it is a consolation to these great solitaries to give their tragic celibacy the relief of a fictitious fatherhood. “But, upon my word, Brichot,” he went on, turning with a laugh to gaze at us, “I feel quite awkward when I see you in such gallant company. You were like a pair of lovers. Going along arm in arm, I say, Brichot, you do go the pace!” Ought one to ascribe this speech to the senility of a particular state of mind, less capable than in the past of controlling its reflexes, which in moments of automatism lets out a secret that has been so carefully hidden for forty years? Or rather to that contempt for plebeian opinion which all the Guermantes felt in their hearts, and of which M. de Charlus’s brother, the Duke, was displaying a variant form when, regardless of the fact that my mother could see him, he used to shave standing by his bedroom window in his unbuttoned nightshirt. Had M. de Charlus contracted, during the roasting journeys between Doncières and Douville, the dangerous habit of making himself at ease, and, just as he would push back his straw hat in order to cool his huge forehead, of unfastening — at first, for a few moments only — the mask that for too long had been rigorously imposed upon his true face? His conjugal attitude towards Morel might well have astonished anyone who had observed it in its full extent. But M. de Charlus had reached the stage when the monotony of the pleasures that his vice has to offer became wearying. He had sought instinctively for novel displays, and, growing tired of the strangers whom he picked up, had passed to the opposite pole, to what he used to imagine that he would always loathe, the imitation of family life, or of fatherhood. Sometimes even this did not suffice him, he required novelty, and would go and spend the night with a woman, just as a normal man may, once in his life, have wished to go to bed with a boy, from a curiosity similar though inverse, and in either case equally unhealthy. The Baron’s existence as one of the ‘faithful,’ living, for Charlie’s sake, entirely among the little clan, had had, in stultifying the efforts that he had been making for years to keep up lying appearances, the same influence that a voyage of exploration or residence in the colonies has upon certain Europeans who discard the ruling principles by which they were guided at home. And yet, the internal revolution of a mind, ignorant at first of the anomaly contained in its body, then appalled at it after the discovery, and finally growing so used to it as to fail to perceive that it is not safe to confess to other people what the sinner has come in time to confess without shame to himself, had been even more effective in liberating M. de Charlus from the last vestiges of social constraint than the time that he spent at the Verdurins’. No banishment, indeed, to the South Pole, or to the summit of Mont Blanc, can separate us so entirely from our fellow creatures as a prolonged residence in the seclusion of a secret vice, that is to say of a state of mind that is different from theirs. A vice upon which the Baron’s speech leaned in sentence after sentence as upon a necessary prop. “Is Charlie here yet?” Brichot asked M. de Charlus as we came in sight of the door. “Oh, I don’t know,” said the Baron, raising his arms and half-shutting his eyes with the air of a person who does not wish anyone to accuse him of being indiscreet, all the more so as he had probably been reproached by Morel for things which he had said and which the other, as timorous as he was vain, and as ready to deny M. de Charlus as he was to boast of his friendship, had considered serious albeit they were quite unimportant. “You know, he never tells me what he’s going to do.” If the conversations of two people bound by a tie of intimacy are full of falsehood, this occurs no less spontaneously in the conversations that a third person holds with a lover on the subject of the person with whom the latter is in love, whatever be the sex of that person

    “Have you seen him lately?” I asked M. de Charlus, with the object of seeming at once not to be afraid of mentioning Morel to him and not to believe that they were actually living together. “He came in, as it happened, for five minutes this morning while I was still half asleep, and sat down on the side of my bed, as though he wanted to ravish me.” I guessed at once that M. de Charlus had seen Charlie within the last hour, for if we ask a woman when she last saw the man whom we know to be — and whom she may perhaps suppose that we suspect of being — her lover, if she has just taken tea with him, she replies: “I saw him for an instant before luncheon.” Between these two incidents the only difference is that one is false and the other true, but both are equally innocent, or, if you prefer it, equally culpable. And so we should be unable to understand why the mistress “he has for me, but there is nothing at all between us, nothing of that sort, you understand, nothing of that sort,” said the Baron, as naturally as though he had been speaking of a woman. “Yes, he came in this morning to pull me out of bed. Though he knows that I hate anybody to see me in bed. You don’t mind? Oh, it’s horrible, it’s so disturbing, one looks so perfectly hideous, of course I’m no longer five-and-twenty, they won’t choose me to be Queen of the May, still one does like to feel that one is looking one’s best.”

   It is possible that the Baron was in earnest when he spoke of Morel as a good comrade, and that he was being even more truthful than he supposed when he said: “I never know what he’s doing; he tells me nothing about his life.”

   Indeed we may mention was written in the most impassioned tone. Its indelicacy prevents us from reproducing it here, but we may mention that Léa addressed him throughout in the feminine gender, with such expressions as: “Go on, you bad woman!” or “Of course you are so, my pretty, you know you are.” And in this letter reference was made to various other women who seemed to be no less Morel’s friends than Léa’s. On the other hand, Morel’s sarcasm at the Baron’s expense and Léa’s at that of an officer who was keeping her, and of whom she said: “He keeps writing me letters begging me to be careful! What do you say to that, my little white puss,” revealed to M. de Charlus a state of things no less unsuspected by him than were Morel’s peculiar and intimate relations with Léa. What most disturbed the Baron was the word ‘so.’ Ignorant at first of its application, he had eventually, at a time already remote in the past, learned that he himself was ‘so.’ And now the notion that he had acquired of this word was again put to the challenge. When he had discovered that he was ‘so,’ he had supposed this to mean that his tastes, as Saint-Simon says, did not lie in the direction of women. And here was this word ‘so’ applied to Morel with an extension of meaning of which M. de Charlus was unaware, so much so that Morel gave proof, according to this letter, of his being ‘so’ by having the same taste as certain women for other women. From that moment the Baron’s jealousy had no longer any reason to confine itself to the men of Morel’s acquaintance, but began to extend to the women also. So that the people who were ‘so’ were not merely those that he had supposed to be ‘so,’ but a whole and vast section of the inhabitants of the planet, consisting of women as well as of men, loving not merely men but women also, and the Baron, in the face of this novel meaning of a word that was so familiar to him, felt himself tormented by an anxiety of the mind as well as of the heart, born of this twofold mystery which combined an extension of the field of his jealousy with the sudden inadequacy of a definition

   M. de Charlus had never in his life been anything but an amateur. That is to say, incidents of this sort could never be of any use to him. He worked off the painful impression that they might make upon him in violent scenes in which he was a past-master of eloquence, or in crafty intrigues. But to a person endowed with the qualities of a Bergotte, for instance, they might have been of inestimable value. This may indeed explain, to a certain extent But it is time to rejoin the Baron as he advances with Brichot and myself towards the Verdurins’ door

    “And what,” he went on, turning to myself, “has become of your young Hebrew friend, whom we met at Douville? It occurred to me that, if you liked, one might perhaps invite him to the house one evening.” For M. de Charlus, who did not shrink from employing a private detective to spy upon every word and action of Morel, for all the world like a husband or a lover, had not ceased to pay attention to other young men. The vigilance which he made one of his old servants maintain, through an agency, upon Morel, was so indiscreet that his footmen thought they were being watched, and one of the housemaids could not endure the suspense, never ventured into the street, always expecting to find a policeman at her heels. “She can do whatever she likes! It would be a waste of time and money to follow her! As if her goings on mattered to us!” the old servant ironically exclaimed, for he was so passionately devoted to his master that, albeit he in no way shared the Baron’s tastes, he had come in time, with such ardour did he employ himself in their service, to speak of them as though they were his own. “He is the very best of good fellows,” M. de Charlus would say of this old servant, for we never appreciate anyone so much as those who combine with other great virtues that of placing themselves unconditionally at the disposal of our vices. It was moreover of men alone that M. de Charlus was capable of feeling any jealousy so far as Morel was concerned. Women inspired in him no jealousy whatever. This is indeed an almost universal rule with the Charlus type. The love of the man with whom they are in love for women is something different, which occurs in another animal species he had arrived at that stage at which self-esteem devotes all its energy to destroying the goals to which it has attained, whether because, under the influence of love, a man finds a prestige which he is alone in perceiving in ostentatious relations with the beloved object, or because, by the waning of social ambitions that have been gratified, and the rising of a tide of subsidiary curiosities all the more absorbing the more platonic they are, the latter have not only reached but have passed the level at which the former found it difficult to remain

   As for young men in general, M. de Charlus found that to his fondness for them Morel’s existence was not an obstacle, and that indeed his brilliant reputation as a violinist or his growing fame as a composer and journalist might in certain instances prove an attraction. Did anyone introduce to the Baron a young composer of an agreeable type, it was in Morel’s talents that he sought an opportunity of doing the stranger a favour. “You must,” he would tell him, “bring me some of your work so that Morel can play it at a concert or on tour. There is hardly any decent music written, now, for the violin. It is a godsend to find anything new. And abroad they appreciate that sort of thing enormously. Even in the provinces there are little musical societies where they love music with a fervour and intelligence that are quite admirable.” Without any greater sincerity , you shall see this evening how well the lad plays Vinteuil’s music; he overwhelms me; at his age, to have such an understanding while he is still such a boy, such a kid! Oh, this evening is only to be a little rehearsal. The big affair is to come off in two or three days. But it will be much more distinguished this evening. And so we are delighted that you have come,” he went on, employing the plural pronoun doubtless because a King says: “It is our wish.” “The programme is so magnificent that I have advised Mme. Verdurin to give two parties. One in a few days’ time, at which she will have all her own friends, the other to-night at which the hostess is, to use a legal expression, ‘disseized.’ It is I who have issued the invitations, and I have collected a few people from another sphere, who may be useful to Charlie, and whom it will be nice for the Verdurins to meet. Don’t you agree, it is all very well to have the finest music played by the greatest artists, the effect of the performance remains muffled in cotton-wool, if the audience is composed of the milliner from across the way and the grocer from round the corner. You know what I think of the intellectual level of people in society, still they can play certain quite important parts, among others that which in public events devolves upon the press, and which is that of being an organ of publicity. You know what I mean; I have for instance invited my sister-in-law Oriane; it is not certain that she will come, but it is on the other hand certain that, if she does come, she will understand absolutely nothing. But one does not ask her to understand, which is beyond her capacity, but to talk, a task which is admirably suited to her, and which she never fails to perform. What is the result? To-morrow as ever is, instead of the silence of the milliner and the grocer, an animated conversation at the Mortemarts’ with Oriane telling everyone that she has heard the most marvellous music, that a certain Morel, and so forth; unspeakable rage of the people not invited, who will say: ‘Palamède thought, no doubt, that we were unworthy; anyhow, who are these people who were giving the party?’ a counterblast quite as useful as Oriane’s praises, because Morel’s name keeps cropping up all the time and is finally engraved in the memory like a lesson that one has read over a dozen times. All this forms a chain of circumstances which may be of value to the artist, to the hostess, may serve as a sort of megaphone for a performance which will thus be made audible to a remote public. Really, it is worth the trouble; you shall see what progress Charlie has made. And what is more, we have discovered a new talent in him, my dear fellow, he writes like an angel. Like an angel, I tell you.” M. de Charlus omitted to say that for some time past he had been employing Morel, like those great noblemen of the seventeenth century who scorned to sign and even to write their own slanderous attacks, to compose certain vilely calumnious little paragraphs at the expense of Comtesse Mole. Their insolence apparent even to those who merely glanced at them, how much more cruel were they to the young woman herself, who found in them, so skilfully introduced that nobody but herself saw the point, certain passages from her own correspondence, textually quoted, but interpreted in a sense which made them as deadly as the cruellest revenge. They killed the lady. But there is edited every day in Paris, Balzac would tell us, a sort of spoken newspaper, more terrible than its printed rivals. We shall see later on that this verbal press reduced to nothing the power of a Charlus who had fallen out of fashion, and exalted far above him a Morel who was not worth the millionth part of his former patron. Is this intellectual fashion really so simple, and does it sincerely believe in the nullity of a Charlus of genius, in the incontestable authority of a crass Morel? The Baron was not so innocent in his implacable vengeance. Whence, no doubt, that bitter venom on his tongue, the spreading of which seemed to dye his cheeks with jaundice when he was in a rage. “You who knew Bergotte,” M. de Charlus went on, “I thought at one time that you might, perhaps, by refreshing his memory with regard to the youngster’s writings, collaborate in short with myself, help me to assist a twofold talent, that of a musician and a writer, which may one day acquire the prestige of that of Berlioz. As you know, the Illustrious have often other things to think about, they are smothered in flattery, they take little interest except in themselves. But Bergotte, who was genuinely unpretentious and obliging, promised me that he would get into the Gaulois, or some such paper, those little articles, a blend of the humourist and the musician, which he really does quite charmingly now, and I am really very glad that Charlie should combine with his violin this little stroke of Ingres’s pen. I know that I am prone to exaggeration, when he is concerned, like all the old fairy godmothers of the Conservatoire. What, my dear fellow, didn’t you know that? You have never observed my little weakness. I pace up and down for hours on end outside the examination hall. I’m as happy as a queen. As for Charlie’s prose, Bergotte assured me that it was really very good indeed.”

   M. de Charlus, who had long been acquainted with Bergotte through Swann, had indeed gone to see him a few days before his death, to ask him to find an opening for Morel in some newspaper for a sort of commentary, half humorous, upon the music of the day. In doing so, M. de Charlus had felt some remorse, for, himself a great admirer of Bergotte, he was conscious that he never went to see him for his own sake, but in order, thanks to the respect, partly intellectual, partly social, that Bergotte felt for him, to be able to do a great service to Morel, or to some other of his friends. That he no longer made use of people in society for any other purpose did not shock M. de Charlus, but to treat Bergotte thus had appeared to him more offensive, for he felt that Bergotte had not the calculating nature of people in society, and deserved better treatment. Only, his was a busy life, and he could never find time for anything except when he was greatly interested in something, when, for instance, it affected Morel. What was more, as he was himself extremely intelligent, the conversation of an intelligent man left him comparatively cold, especially that of Bergotte who was too much the man of letters for his liking and belonged to another clan, did not share his point of view. As for Bergotte, he had observed the calculated motive of M. de Charlus’s visits, but had felt no resentment, for he had been incapable, throughout his life, of any consecutive generosity, but anxious to give pleasure, broadminded, insensitive to the pleasure of administering a rebuke. As for M. de Charlus’s vice, he had never partaken of it to the smallest extent, but had found in it rather an element of colour in the person affected, fas et nefas, for an artist, consisting not in moral examples but in memories of Plato or of Sodom. “But you, fair youth, we never see you at Quai Conti. You don’t abuse their hospitality!” I explained that I went out as a rule with my cousin. “Do you hear that! He goes out with his cousin! What a most particularly pure young man!” said M. de Charlus to Brichot. Then, turning again to myself: “But we are not asking you to give an account of your life, my boy. You are free to do anything that amuses you. We merely regret that we have no share in it. Besides, you shew very good taste, your cousin is charming, ask Brichot, she quite turned his head at Douville. We shall regret her absence this evening. But you did just as well, perhaps, not to bring her with you. Vinteuil’s music is delightful. But I have heard that we are to meet the composer’s daughter and her friend, who have a terrible reputation. That sort of thing is always awkward for a girl. They are sure to be there, unless the ladies have been detained in the country, for they were to have been present without fail all afternoon at a rehearsal which Mme. Verdurin was giving to-day, to which she had invited only the bores, her family, the people whom she could not very well have this evening. But a moment ago, before dinner, Charlie told us that the sisters Vinteuil. as we call them, for whom they were all waiting, never came.” Notwithstanding the intense pain that I had felt at the sudden association with its effect, of which alone I had been aware, of the cause, at length discovered, of Albertine’s anxiety to be there that afternoon, the presence publicly announced of Mlle. Vinteuil and her friend, my mind was still sufficiently detached to remark that M. de Charlus, who had told us, a few minutes earlier, that he had not seen Charlie since the morning, was now brazenly admitting that he had seen him before dinner. My pain became visible. “Why, what is the matter with you?” said the Baron. “You are quite green; come, let us go in, you will catch cold, you don’t look at all well.” It was not any doubt as to Albertine’s virtue that M. de Charlus’s words had awakened in me. Many other doubts had penetrated my mind already; at each fresh doubt we feel that the measure is heaped full, that we cannot cope with it, then we manage to find room for it all the same, and once it is introduced into our vital essence it enters into competition there with so many longings to believe, so many reasons to forget, that we speedily become accustomed to it, and end by ceasing to pay it any attention. There remains only, like a partly healed pain, the menace of possible suffering, which, the counterpart of desire, a feeling of the same order, and like it become the centre of our thoughts, radiates through them to an infinite circumference a wistful melancholy, as desire radiates pleasures whose origin we fail to perceive, wherever anything may suggest the idea of the person with whom we are in love. But pain revives as soon as a fresh doubt enters our mind complete; even if we assure ourself almost immediately: “I shall deal with this, there must be some method by which I need not suffer, it cannot be true,” nevertheless there has been a first moment in which we suffered as though we believed it. If we had merely members, such as legs and arms, life would be endurable; unfortunately we carry inside us that little organ which we call the heart, which is subject to certain maladies in the course of which it is infinitely impressionable by everything that concerns the life of a certain person, so that a lie — that most harmless of things, in the midst of which we live so unconcernedly, if the lie be told by ourselves or by strangers — coming from that person, causes the little heart, which surgeons ought really to be able to excise from us, intolerable anguish. Let us not speak of the brain, for our mind may go on reasoning interminably in the course of this ansuish, it does no more to mitigate it than by taking thought can we soothe an aching tooth. It is true that this person is to blame for having lied to us, for she had sworn to us that she would always tell us the truth. But we know from our own shortcomings, towards other people, how little an oath is worth. And we have deliberately believed them when they came from her, the very person to whose interest it has always been to lie to us, and whom, moreover, we did not select for her virtues. It is true that, later on, she would almost cease to have any need to lie to us — at the moment when our heart will have grown indifferent to her falsehood — because then we shall not feel any interest in her life. We know this, and, notwithstanding, we deliberately sacrifice our own lives, either by killing ourselves for her sake, or by letting ourselves be sentenced to death for having murdered her, or simply by spending, in the course of a few evenings, our whole fortune upon her, which will oblige us presently to commit suicide because we have not a penny in the world. Besides, however calm we may imagine ourselves when we are in love, we always have love in our heart in a state of unstable equilibrium. A trifle is sufficient to exalt it to the position of happiness, we radiate happiness, we smother in our affection not her whom we love, but those who have given us merit in her eyes, who have protected her from every evil temptation; we think that our mind is at ease, and a word is sufficient: ‘Gilberte is not coming,’ ‘Mademoiselle Vinteuil is expected,’ to make all the preconceived happiness towards which we were rising collapse, to make the sun hide his face, to open the bag of the winds and let loose the internal tempest which one day we shall be incapable of resisting. That day, the day upon which the heart has become so frail, our friends who respect us are pained that such trifles, that certain persons, can so affect us, can bring us to death’s door. But what are they to do? If a poet is dying of septic pneumonia, can one imagine his friends explaining to the pneumococcus that the poet is a man of talent and that it ought to let him recover? My doubt, in so far as it referred to Mlle. Vinteuil, was not entirely novel. But to a certain extent, my jealousy of the afternoon, inspired by Léa and her friends, had abolished it. Once that peril of the Trocadéro was removed, I had felt that I had recaptured for all time complete peace of mind. But what was entirely novel to me was a certain excursion as to which Andrée had told me: “We went to this place and that, we didn’t meet anyone,” and during which, on the contrary, Mlle. Vinteuil had evidently arranged to meet Albertine at Mme. Verdurin’s. At this moment I would gladly have allowed Albertine to go out by herself, to go wherever she might choose, provided that I might lock up Mlle. Vinteuil and her friend somewhere and be certain that Albertine would not meet them. The fact is that jealousy is, as a rule, partial, of intermittent application, whether because it is the painful extension of an anxiety which is provoked now by one person, now by another with whom our mistress may be in love, or because of the exiguity of our thought which is able to realise only what it can represent to itself and leaves everything else in an obscurity which can cause us only a proportionately modified anguish

   Just as we were about to ring the bell we were overtaken by Saniette who informed us that Princess Sherbatoff had died at six o’clock, and added that he had not at first recognised us. “I envisaged you, however, for some time,” he told us in a breathless voice. “Is it aught but curious that I should have hesitated?” To say “Is it not curious” would have seemed to him wrong, and he had acquired a familiarity with obsolete forms of speech that was becoming exasperating. “Not but what you are people whom one may acknowledge as friends.” His grey complexion seemed to be illuminated by the livid glow of a storm. His breathlessness, which had been noticeable, as recently as last summer, only when M. Verdurin ‘jumped down his throat,’ was now continuous. “I understand that an unknown work of Vinteuil is to be performed by excellent artists, and singularly by Morel.” “Why singularly?” inquired the Baron who detected a criticism in the adverb. “Our friend Saniette,” Brichot made haste to exclaim, acting as interpreter, “is prone to speak, like the excellent scholar that he is, the language of an age in which ‘singularly’ was equivalent to our ‘especially.’”

   As we entered the Verdurins’ hall, M. de Charlus asked me whether I was engaged upon any work and as I told him that I was not, but that I was greatly interested at the moment in old dinner-services of plate and porcelain, he assured me that I could not see any finer than those that the Verdurins had; that moreover I might have seen them at la Raspelière, since, on the pretext that one’s possessions are also one’s friends, they were so silly as to cart everything down there with them; it would be less convenient to bring everything out for my benefit on the evening of a party; still, he would tell them to shew me anything that I wished to see. I begged him not to do anything of the sort. M. de Charlus unbuttoned his greatcoat, took off his hat, and I saw that the top of his head had now turned silver in patches. But like a precious shrub which is not only coloured with autumn tints but certain leaves of which are protected by bandages of wadding or incrustations of plaster, M. de Charlus received from these few white hairs at his crest only a further variegation added to those of his face. And yet, even beneath the layers of different expressions, paint and hypocrisy which formed such a bad ‘make-up,’ his face continued to hide from almost everyone the secret that it seemed to me to be crying aloud. I was almost put to shame by his eyes in which I was afraid of his surprising me in the act of reading it, as from an open book, by his voice which seemed to me to be repeating it in every tone, with an untiring indecency. But secrets are well kept by such people, for everyone who comes in contact with them is deaf and blind. The people who learned the truth from some one else, from the Verdurins for instance, believed it, but only for so long as they had not met M. de Charlus. His face, so far from spreading, dissipated every scandalous rumour. For we form so extravagant an idea of certain characters that we would be incapable of identifying one of them with the familiar features of a person of our acquaintance. And we find it difficult to believe in such a person’s vices, just as we can never believe in the genius of a person with whom we went to the Opera last night

   M. de Charlus was engaged in handing over his greatcoat with the instructions of a familiar guest. But the footman to whom he was handing it was a newcomer, and quite young. Now M. de Charlus had by this time begun, as people say, to ‘lose his bearings’ and did not always remember what might and what might not be done. The praiseworthy desire that he had felt at Balbec to shew that certain topics did not alarm him, that he was not afraid to declare with regard to some one or other: “He is a nice-looking boy,” to utter, in short, the same words as might have been uttered by somebody who was not like himself, this desire he had now begun to express by saying on the contrary things which nobody could ever have said who was not like him, things upon which his mind was so constantly fixed that he forgot that they do not form part of the habitual preoccupation of people in general. And so, as he gazed at the new footman, he raised his forefinger in the air in a menacing fashion and, thinking that he was making an excellent joke: “You are not to make eyes at me like that, do you hear?” said the Baron, and, turning to Brichot: “He has a quaint little face, that boy, his nose is rather fun,” and, completing his joke, or yielding to a desire, he lowered his forefinger horizontally, hesitated for an instant, then, unable to control himself any longer, thrust it irresistibly forwards at the footman and touched the tip of his nose, saying “Pif!” “That’s a rum card,” the footman said to himself, and inquired of his companions whether it was a joke or what it was. “It is just a way he has,” said the butler , “but he is one of Madame’s friends for whom I have always had the greatest respect, he has a good heart.”

    “Are you coming back this year to Incarville?” Brichot asked me. “I believe that our hostess has taken la Raspelière again, for all that she has had a crow to pick with her landlords. But that is nothing, it is a cloud that passes,” he added in the optimistic tone of the newspapers that say: “Mistakes have been made, it is true, but who does not make mistakes at times?” But I remembered the state of anguish in which I had left Balbec, and felt no desire to return there. I kept putting off to the morrow my plans for Albertine. “Why, of course he is coming back, we need him, he is indispensable to us,” declared M. de Charlus with the authoritative and uncomprehending egoism of friendliness

   At this moment M. Verdurin appeared to welcome us. When we expressed our sympathy over Princess Sherbatoff, he said: “Yes, I believe she is rather ill.” “No, no, she died at six o’clock,” exclaimed Saniette. “Oh, you exaggerate everything,” was M. Verdurin’s brutal retort, for, since he had not cancelled his party, he preferred the hypothesis of illness, imitating unconsciously the Duc de Guermantes. Saniette, not without fear of catching cold, for the outer door was continually being opened, stood waiting resignedly for some one to take his hat and coat. “What are you hanging about there for, like a whipped dog?” M. Verdurin asked him. “I am waiting until one of the persons who are charged with the cloakroom can take my coat and give me a number.” “What is that you say?” demanded M. Verdurin with a stern expression. “‘Charged with the cloakroom?’ Are you going off your head? ‘In charge of the cloakroom,’ is what we say, if we’ve got to teach you to speak your own language, like a man who has had a stroke.” “Charged with a thing is the correct form,” murmured Saniette in a stifled tone; “the abbé Le Batteux. . . . ” “You make me tired, you do,” cried M. Verdurin in a voice of thunder. “How you do wheezel Have you been running upstairs to an attic?” The effect of M. Verdurin’s rudeness was that the servants in the cloakroom allowed other guests to take precedence of Saniette and, when he tried to hand over his things, replied: “Wait for your turn, Sir, don’t be in such a hurry.” “There’s system for you, competent fellows, that’s right, my lads,” said M. Verdurin with an approving smile, in order to encourage them in their tendency to keep Saniette waiting till the end. “Come along,” he said to us, “the creature wants us all to catch our death hanging about in his beloved draught. Come and get warm in the drawing-room. ‘Charged with the cloakroom,’ indeed, what an idiot!” “He is inclined to be a little precious, but he’s not a bad fellow,” said Brichot. “I never said that he was a bad fellow, I said that he was an idiot,” was M. Verdurin’s harsh retort

   Meanwhile Mme. Verdurin was busily engaged with Cottard and Ski. Morel had just declined

   But this infatuated impulse, this need to make friendly overtures, had its counterpart. Assiduous attendance at their Wednesdays aroused in the Verdurins an opposite tendency. This was the desire to quarrel, to hold aloof. It had been strengthened, had almost been wrought to a frenzy during the months spent at la Raspelière, where they were all together morning, noon and night. M. Verdurin went out of his way to prove one of his guests in the wrong, to spin webs in which he might hand over to his comrade spider some innocent fly. Failing a grievance, he would invent some absurdity. As soon as one of the faithful had been out of the house for half an hour, they would make fun of him in front of the others, would feign surprise that their guests had not noticed how his teeth were never clean, or how on the contrary he had a mania for brushing them twenty times a day. If any one took the liberty of opening a window, this want of breeding would cause a glance of disgust to pass between host and hostess. A moment later Mme. Verdurin would ask for a shawl, which gave M. Verdurin an excuse for saying in a tone of fury: “No, I shall close the window, I wonder who had the impertinence to open it,” in the hearing of the guilty wretch who blushed to the roots of his hair. You were rebuked indirectly for the quantity of wine that you had drunk. “It won’t do you any harm. Navvies thrive on it!” If two of the faithful went out together without first obtaining permission from the Mistress, their excursions led to endless comments, however innocent they might be. Those of M. de Charlus with Morel were not innocent. It was only the fact that M. de Charlus was not staying at la Raspelière that retarded the hour of satiety, disgust, retching. That hour was, however, about to strike

   Mme. Verdurin was furious and determined to ‘enlighten’ Morel as to the ridiculous and detestable part that M. de Charlus was making him play. “I must add,” she went on , felt that she ought to justify an invitation of Saintine by pointing out that he knew a great many people, “having married Mlle. ——-.” The ignorance which this assertion, the direct opposite of the truth, revealed in Mme. Verdurin caused the Baron’s painted lips to part in a smile of indulgent scorn and wide comprehension. He disdained a direct answer, but as he was always ready to express in social examples theories which shewed the fertility of his mind and the arrogance of his pride, with the inherited frivolity of his occupations: “Saintine ought to have come to me before marrying,” he said, “there is such a thing as social as well as physiological eugenics, and I am perhaps the only specialist in existence. Saintine’s case aroused no discussion, it was clear that, in making the marriage that he made, he was tying a stone to his neck, and hiding his light under a bushel. His social career was at an end. I should have explained this to him, and he would have understood me, for he is quite intelligent. On the other hand, there was a person who had everything that he required to make his position exalted, predominant, world-wide, only a terrible cable bound him to the earth. I helped him, partly by pressure, partly by force, to break his bonds and now he has won, with a triumphant joy, the freedom, the omnipotence that he owes to me; it required, perhaps, a little determination on his part, but what a reward! Thus a man can himself, when he has the sense to listen to me, become the midwife of his destiny.” It was only too clear that M. de Charlus had not been able to influence his own; action is a different thing from speech, even eloquent speech, and from thought, even the thoughts of genius. “But, so far as I am concerned, I live the life of a philosopher who looks on with interest at the social reactions which I have foretold, but who does not assist them. And so I have continued to visit Saintine, who has always received me with the whole-hearted deference which is my due. I have even dined with him in his new abode, where one is heavily bored, in the midst of the most sumptuous splendour, as one used to be amused in the old days when, living from hand to mouth, he used to assemble the best society in a wr

Translation in Spanish of the Song
The Verdurins Quarrel by Marcel Proust

Improve this translation

Due to lack of time and people, many translations are done with the automatic translator.
We know it's not the best, but it's enough to make it clear to those who visit us. of the song.
With your help, and that of the other visitors, we can make this site a reference for the translations of songs.
You want to give your contribution to the song The Verdurins Quarrel We are happy!

Marcel Proust

The Verdurins Quarrel: Translations and Lyrics - Marcel Proust

The Verdurins Quarrel

We present you the lyrics and the translation of The Verdurins Quarrel, a news song created by Marcel Proust taken from the album 'The Captive'

This is the list of 3 songs contained into the album. You can click on one to see the corresponding lyrics and translations.

These are some hits sung by . You will find the name of the album in brackets:

Other Albums of Marcel Proust

This album is definitely not the first of his career. For example we want to remind you albums like The Guermantes Way / Within a Budding Grove / Time Regained.

Latest Translations and Lyrics Added Marcel Proust

Latest Translations and Lyrics Added

Most viewed translations this week

Until today you have improved
translations of songs
Thank You!!